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Tag Archives: electronic music

Dive is IDM artist Tycho’s latest record released on Ghostly International. Tycho first entered the music world with a piece of work known as The Science of Patterns as a self-released EP in 2002. 2004 saw the release of his first full length entitled Sunrise Projector which is perhaps his most known work in the IDM community.

His second album dubbed Past is Prologue was released in ’06 on now defunct Florida-based Merck Records which was responsible for housing a lot of quality releases roughly in the same musical realm including works from Secede, Machinedrum, Mr. Projectile, and Helios.

This record in particular has the emotion and feeling that music from Ulrich Schnauss conveys while retaining a rhythm and structure that almost sounds like a vocal-less Zero 7 and an artist named Aerosol with Airborne all while sticking contently to an electronic-oriented background and atmosphere.

While Dive is vocal-less, it does sport minor vocal samples, most notably in its title track seen above.

Easily described as a feel-good album, Dive soars beyond what Tycho accomplished musically with previous records. While Past is Prologue as well as Sunrise Projector were solid no doubt, Dive feels like it was created effortlessly. It’s a straight forward record containing the easiness and relaxed atmosphere of Prologue while maintaining the striking eloquence of Tycho’s debut album.

Tycho’s work here is an outstanding testament to great IDM music and possesses long lasting appeal and virtually endless replayability.

For more information about the artist, check out the following resources:


Ghostly International

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Hailed as a pioneer of the “futurepop” subgenre within electronic music, VNV Nation has had a long standing reputation within the EBM scene. They are responsible for an extensive discography spanning over 21 years. Given such a great amount of releases, for an electronic oriented group they’ve remained largely consistent with perhaps a few changes in very recent years to keep in stride with modern era sounding electropop.

Lyrically, VNV has largely focused on this sort of distanced speculation and observations on culture, world views, human expression, and personal relationships. Often, the group’s albums feature very lyrically introverted tracks while having an upbeat and danceable anthem of a song.

Beyond that, they’ve often submerged themselves entirely in melancholic musical elements filled with remorseful and emotional lyrics complimented by engagingly warm pads, pianos, and other easy listening instrumentation sufficiently exemplified in tracks like “Illusion” from 2007’s Judgement. Indeed, the very last track on the record (“As it Fades“) offers no vocals to speak of instead opting for cold pads and whispered orchestral elements.

Vocals have always been a fundamental element for VNV Nation and as such, its presentation and lyrical delivery on this album is as solid as it has been on previous records. The real differences that make this album from previous VNV works is how well each track compliments each other until the record’s completion. Additionally, the quality of lyrics has made a marked improvement (in this writer’s mind) from their last release with 2009’s Of Faith, Power, & Glory. Here it is immediately obvious that they were inspired.

A cursory listen may show that Automatic is a musically comparative adventure to Of Faith, Power, & Glory in that the pop-iness in that album reflects with this output here, however Automatic definitely proves to be a more fruitful and engaging record topped with more energetic and cohesive tracks. Really, it deserves comparisons to 2000’s Empires (excerpt) – these lyrics are inventive and they are delivered with swift and carefree execution.

Empires is largely seen as VNV Nation’s most iconic and crowning achievement and was followed up by another excellent record with Futureperfect in 2002 (an iconic song is presented in this album) and I’d submit that Automatic may indeed be their best work since then.

Be sure to check out this band’s previous works including Matter + Form released in 2005 as well as the records mentioned above. Here’s an excellent and motivated track from the album that I find is overlooked amongst other jewels in VNV’s discography.

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VNV Nation

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Just thought I’d drop a line showcasing “Midnight City” off of M83’s forthcoming album Hurry Up, We’re Dreaming. Release date TBA.

The song is available to download here.

M83 is Anthony Gonzalez, a one man shoegaze-ish band hailing from France. His first few albums are top notch quality. His latest record entitled Saturdays = Youth from 2008 took a bit of a weird change in direction as far as sound goes.

It was a lot more open and honestly it felt a little diluted from previous M83 works, which typically incorporated many elements from the shoegaze and idm genres to make incredible textures and soundscapes. This song from his upcoming album gets me excited because it sounds like it is a return to his earlier, more robust works of art.

Also, take a look at his upcoming concert tour from the website listed below.

More to come…

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